Künstler Der Konkreten Kunst: Rudolf Ortner, Max Bill, Johannes Itten, Piet Mondrian, Robert Jacobsen, Theo Van Doesburg, Leo Leuppi Bücher Gruppe

ISBN: 9781159099688

Published: July 22nd 2010

Paperback

62 pages


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Künstler Der Konkreten Kunst: Rudolf Ortner, Max Bill, Johannes Itten, Piet Mondrian, Robert Jacobsen, Theo Van Doesburg, Leo Leuppi  by  Bücher Gruppe

Künstler Der Konkreten Kunst: Rudolf Ortner, Max Bill, Johannes Itten, Piet Mondrian, Robert Jacobsen, Theo Van Doesburg, Leo Leuppi by Bücher Gruppe
July 22nd 2010 | Paperback | PDF, EPUB, FB2, DjVu, AUDIO, mp3, RTF | 62 pages | ISBN: 9781159099688 | 9.74 Mb

Kapitel: Rudolf Ortner, Max Bill, Johannes Itten, Piet Mondrian, Robert Jacobsen, Theo Van Doesburg, Leo Leuppi, Camille Graeser, Verena Loewensberg, Paul Lohse, Richard Mortensen, Rolf Cavael, Hans Herbert Hartwieg, Zrcher Schule Der Konkreten,MoreKapitel: Rudolf Ortner, Max Bill, Johannes Itten, Piet Mondrian, Robert Jacobsen, Theo Van Doesburg, Leo Leuppi, Camille Graeser, Verena Loewensberg, Paul Lohse, Richard Mortensen, Rolf Cavael, Hans Herbert Hartwieg, Zrcher Schule Der Konkreten, Maria C.

P. Huls. Aus Wikipedia. Nicht dargestellt. Auszug: Johannes Itten (11 November 1888 - 27 May 1967) was a Swiss expressionist painter, designer, teacher, writer and theorist associated with the Bauhaus (Staatliche Bauhaus) school. Together with German-American painter Lyonel Feininger and German sculptor Gerhard Marcks, under the direction of German architect Walter Gropius, Itten was part of the core of the Weimar Bauhaus.

Born in Sdern-Linden, Switzerland, he studied as an elementary school teacher from 1904 to 1908. Beginning in 1908 he taught using methods developed by Friedrich Frbel and was exposed to the ideas of psychoanalysis. He later enrolled at the cole des Beaux-Arts in Geneva but then returned to Berne, after being unimpressed with the educators there. Ittens studies at the Berne-Hofwil Teachers Academy with Ernst Schneider proved seminal for his later work as a master at the Bauhaus.

Itten adopted principles espoused by Schneider, including the practice of not correcting his students creative work on an individual basis, for fear that this would crush the creative impulse. Rather, he selected certain common mistakes to correct for the class as a whole. He was heavily influenced by Adolf Hlzel and Franz Ciek, in Vienna using the work and textbook of Eugne Gilliard, an abstract painter, as a base.

From Hlzel, Itten adopted a series of basic shapes (the line, the plane, the circle, the spiral) as a means from which to begin creation, and the use of gymnastic exercises to relax his students and prepare them for the experiences that were to occur in the class. Farbkreis by Johannes Itten (1961)From 1919 to 1922, Itten taught at the Bauhaus, developing the ...http://booksllc.net/?l=de



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